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However, we could argue that Claudio isn’t in fact romantic at all as he questions, “Hath Leonato any son, my lord?” perhaps suggesting he isn’t as romantic as we first thought.The relationship between these two can be described as inconsistent, yet conforms to the structure of ‘Separation’, ‘A struggle of young lovers to overcome difficulty, often presented by elders’ and finally ‘Reunification’ where the characters are granted a ‘Happy Ending’.
The way Don John “fled” may resemble his character as Shakespeare made him a mysterious character that is “not of many words”, which further leaves the audience of an enigma, as they don’t know what his next plan could be.
However, in contrast, the audience are gratified with the cathartic ending as Borachio states, “The lady is dead upon mine and my master’s false accusation” allowing the two partners of Don John to take responsibility for the disruptions throughout the play.
For example, as Don John informs Claudio of the ‘affair’ that has happened, Claudio immediately questions Don John by asking “Disloyal?
showing his gullible characteristics as well as his naivety.
We are able to say ‘Much Ado About Nothing’ is a problem play as it does not fit into one genre, but still consists of a typical Shakespearean ending.
Over the course of the play, we see various key conventions relating to the characters of Claudio and Hero.Claudio and Hero’s unpredictable romance is the main plot, which begins the controversial action and ignites all subsequent events.They are a very conventional young couple as their relationship is based on first impressions where Claudio “look’d upon her with a soldier’s eye”, further connoting his naivety and how Shakespeare used aesthetic ideals, reiterating beauty over substance.Shakespeare uses multiple villains to portray the convention of intertwining plots, which creates an enigma for the audience as they begin to question the various possible outcomes.Benedick says to Don Pedro and Claudio, “your brother the bastard is fled from Messina” which may connote that Don John was in fact the main villain, but also most intelligent as he appears to be the only villain that wasn’t prepared to get caught.On the whole, we could also say how Don Pedro shows his naivety also by saying “And, as I wooed for thee to obtain her, I will join with thee to disgrace her” reiterating his social status and how he could evidently, make or break the relationship, but does this by stooping as low to Don John’s level, where in fact, he should show his maturity further in the play.Shakespeare conforms to the conventions of the two being separated and reunited towards the end of the play, suggesting a sense of catharsis as the two characters received their happy ending, enabling the audience to be satisfied with the total outcome, despite the negative occurrences throughout.An example of this is “Be you constant in the accusations, and my cunning shall not shame me”.However, the fact there are multiple villains doesn’t conform to the comedic conventions, as a play would usually have only one main villain who causes continuous disruption.Don John is a character that conforms to conventions of Elizabethan comedy by acting as a catalyst.He’s the prime villain in the play but is also accompanied by two other characters. Although Don John is the main catalyst, it is potentially Borachio to be the predominant villainous character as he shows to be the main culprit as he often presents ideas to Don John, suggesting his importance in the play.