The Black Swan is a standalone book in Nassim Nicholas Taleb's landmark Incerto series, an investigation of opacity, luck, uncertainty, probability, human error, risk, and decision-making in a world we don't understand.
The other books in the series are Fooled by Randomness, Antifragile, Skin in the Game, and The Bed of Procrustes.
The scenes where she begins to exhibit the physical characteristics of a swan — feathers, webbed feet, a long neck, red eyes, legs that bend backwards — are framed as hallucinations that disappear shortly afterwards.
There are some scenes where she is turning into a white swan, and other scenes where she is turning into a black swan — which makes sense, as she is cast as both Odette and Odile in her ballet company’s production of .
Taleb is a vastly entertaining writer, with wit, irreverence, and unusual stories to tell.
He has a polymathic command of subjects ranging from cognitive science to business to probability theory. We eagerly romp with him through the follies of confirmation bias [and] narrative fallacy."--The Wall Street Journal "Hugely enjoyable--compelling .
It is a movement from unity to complexity, and from organization to anarchy.
The human subject is swept away, and the subject no longer occupies to realm of stability, but is instead nomadic and restless.
Black Swan is a dense and layered film, with so much to focus on: the theme of doubles and doppelgangers, the prominence of mirrors, the way the plot matches the story of , the meticulously crafted visuals, and the film’s obsession with differing expressions of femininity.
However, it wasn’t until I took a class focusing on Animals in Cinema that I realized this film deals with a woman’s literal transformation into a swan.