The feeling of misery is developed through the imagery provided in the prose.
Laertes continues; “By heaven, thy madness shall be paid by weight,/ till our scale turn the beam,” (Shakespeare, IV, v, 132-133).
Following the murder of Polonius, Gertrude describes Hamlet’s madness by comparing it to the sea beneath a storm.
She illustrates this by declaring Hamlet is as “mad as the sea and wind when both contend/ which is the mightier,” (Shakespeare, IV, i, 8-9).
Hamlet describes his mother’s new obsession: “she would hang on him/ as if increase of appetite had grown/ by what it fed on,” (Shakespeare, I, ii, 143-145).
Shakespeare uses imagery to emphasize the importance of the theme of betrayal, rather than simply mentioning that Hamlet feels betrayed.
Providing the reader with the ability to relate to the characters’ situations through imagery and comparisons to more familiar circumstances, Shakespeare not only creates an excessive ornateness of language, but persistently reflects and reinforces his themes through the appealing technique.
During the play, Hamlet by William Shakespeare, the late king Hamlet appeared to his son, young Hamlet, as a ghost bearing terrible news.
He says her choice was unwise, and compares her injudicious selection to one chosen by “eyes without feeling, feeling without sight,/ears without hands or eyes,/ smelling sans all,” (Shakespeare, III, iv, 80-83).
Hamlet claims that even deprived of all but one sense, one would recognize the senselessness to the wedding, and wonders “what devil was’t” (Shakespeare, III, iv, 78) that compelled Gertrude to remarry such “Hyperion to a satyr” (Shakespeare, I, ii, 140).