Film Dissertations

Film Dissertations-40
Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered.Any other use would require the permission of the copyright holder.Falcao PDF Music, Cinema and the Representation of Africa, Natasha Callender PDF Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance, Caitlin Foster PDF The New French Extremity: Bruno Dumont and Gaspar Noé, France's Contemporary Zeitgeist, Timothy J.

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": Elizabeth of Spalbeek, Christina the Astonishing, and Performative Self-Abjection in Oxford, Bodleian Library, MS Douce 114, Murrielle Michaud PDF Girls’ Voices of the Eighteenth Century: The Development of a Genre for Young Female Readers, 1740-1800, Sarah Rangaratnam PDF In Search of Lost Selves: Memory and Subjectivity in Transnational Art Cinema, Anders J.

Bergstrom PDF Narrative Pleasures and Feminist Politics: Popular Women’s Historical Fiction, 1990-2015, Victoria Kennedy PDF Strange Compositions: Chemistry and its Occult History in Victorian Speculative Fiction, Susan Hroncek PDF The Struggle To Be Heard: Toronto's Postproduction Sound Industry, 1968 to 2005, Katherine E.

In week 5 of semester two, you should email a completed copy of the Dissertation Proposal Form to the Department Office.

This will enable us to allocate supervisors according to the topics proposed.

It can take time to work out exactly how to focus the work and decide on what you need to look at and read.

Only if you begin work early do you have any chance of obtaining difficult material—e.g.

We are unable to allocate any supervisors until all the forms have been received.

There are a number of training sessions that will help you to devise and plan your dissertation: dates tbc Supervision Once supervisors have been allocated you should arrange to meet your supervisor to discuss your project.

Dawn's unpreserved archive https://doi.org/10.17077/etd.undt79tv PDF Iancu, Laura (2016), The story never ended https://doi.org/10.17077/etd.vqvq8bhl PDF Kim, Se Young (2016), Crisis in neoliberal Asia: violence in contemporary Korean and Japanese cinema https://doi.org/10.17077/etd.ii5i7zlz PDF Orme, Timothy David (2016), To infinity and beyond Iowa https://doi.org/10.17077/etd.o05rd71z PDF Swanson, Anna Lynn (2016), Body of work: everything I wrote while I was supposed to be making films (is actually part of the filmmaking process) https://doi.org/10.17077/etd.0kmnpdy2 PDF Crylen, Jonathan Christopher (2015), The cinematic aquarium: a history of undersea film https://doi.org/10.17077/etd.9guro9do PDF Kreitzer, Jesse Lockwood (2015), Black canaries: a story of ancestry, land and labor https://doi.org/10.17077/etd.lhxhfumr PDF Latsis, Dimitrios (2015), Nature's nation on the move: the American landscape between art and cinema, 1867-1939 https://doi.org/10.17077/etd.fc6dca86 PDF Płazińska, Katarzyna (2015), Notes on Solace https://doi.org/10.17077/etd.6bqm2pj1 PDF Watson, Ryan Grant (2015), Re-claiming the radical: documentary and video advocacy in the age of new media https://doi.org/10.17077/etd.0o3kkham PDF Couret, Nilo Fernando (2013), Peripheral Humor, Critical Realism: Latin American Film Comedy, 1930-1960 https://doi.org/10.17077/etd.elsj6fzn PDF Mc Guffie, Allison Doris (2013), African educational film and video: industry, ideology, and the regulation of Sub-Saharan sexuality https://doi.org/10.17077/etd.9v8xzqkz PDF Mokdad, Linda Y (2013), Imaginary geography: mapping the history of the Middle East in post-9/11 American cinema https://doi.org/10.17077/etd.tivibyxn PDF Stine, Kyle Joseph (2013), Calculative cinema: technologies of speed, scale, and explication https://doi.org/10.17077/etd.ahkr0xvc PDF Sweeney, Ellen Elizabeth (2013), Partition and its legacies: a cross-cultural comparison of Irish, British and South Asian cinemas https://doi.org/10.17077/etd.em2gymk8 PDF Camillo, Seth Jordan (2012), The circus: a city symphony https://doi.org/10.17077/etd.jtlzz18v PDF Gooch, Sara Anne (2012), Mediating the mill: steel production in film https://doi.org/10.17077/etd.rnrxsu0k PDF Henlin-Stromme, Sabine Brigitte (2012), Nature, nation and the global in contemporary Norwegian cinema https://doi.org/10.17077/etd.lrx7syop PDF Jung, Sang Uk (2012), Identifying high value customers in a social network: individual characteristics vs.

The dissertation examples below were written by students to help you with your own studies.

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