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“Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer.It is a story of a few not so, “Good Country People.” The ironic quality of each character’s name is apparent immediately.
Joy is usually skeptical of every one, but with him it was different; she felt safe and secure in his arm.
They were enjoying each other company, when Pointer asked an awkward question, "Show me where your wooden leg joins on" (129), which she did, believing he's harmless.
O’Connor uses her characters to explore common notions regarding, “good” and “bad” people. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs.
Using their expectations for one another, O’Connor ultimately expose their literal and figurative, “deformities.” Like Joys wooded leg the Irony in, “Good Country People,” embodies that which is hollow and contrived in its characters. Freeman’s and her two daughters- Glynese and Carramae. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy.
Then she had gone and had the beautiful named, Joy, changed without telling her mother until after she had done it.
Her legal name was Hulga.” Joy-Hulga does not hope well for the people around her.She imagines that she can give him "a deeper understanding of life" because "[t]rue genius […] can get an idea across even to an inferior mind." In the barn, when the salesman demands that she tell him she loves him, Hulga feels pity, calling him "poor baby" and saying, "It's just as well you don't understand." But later, faced with the evil of his actions, she falls back on her mother's clichés."Aren't you," she asks him, "just good country people?Pointer replied taking the wooden leg home with him.Pointer was not a bible sales man, rather a con artist that travels town to town stealing people valuables. Manley Pointer like every great con artist has to win the heart of his victims before ex...She would be in a university lecturing to people who knew what she was talking about." Yet she rejects one cliché – good country people – in favor of one that sounds superior but is equally trite – "people who knew what she was talking about." Hulga likes to imagine herself as being above her mother's platitudes, but she reacts so systematically against her mother's beliefs that her atheism, her Ph. in philosophy and her bitter outlook begin to seem as thoughtless and trite as her mother's sayings."Good country people" is meant to be flattering, but it's a condescending phrase. Hopewell, somehow has the authority to judge whether someone is "good country people" or, to use her word, "trash." It also implies that the people being labeled this way are somehow simpler and less sophisticated than Mrs. When the Bible salesman arrives, he is a living example of Mrs. He uses "a cheerful voice," makes jokes, and has a "pleasant laugh." In short, he's everything Mrs. When he sees that he's losing her interest, he says, "People like you don't like to fool with country people like me! It's as if he's accused her of not living up to her own cherished platitudes, and she overcompensates with a flood of clichés and an invitation to dinner. She would make these statements […] as if no one held them but her […]" Her statements are so vague and obvious as to be almost meaningless, except, perhaps, to convey an overall philosophy of resignation. Hopewell hired the Freemans because they were the only applicants for the job. And still another, the most important, was: well, other people have their opinions too. Freeman would say, ' I always said so myself.' Nothing had been arrived at by anyone that had not first been arrived at by her." The truth is that Mrs.Examples of this range from O’ Connors use of clearly ironic dialogue to the dramatic irony that unfolds between Manley and Joy-Hulga.However the most obvious examples can be found in O’Connor’s characterization of these, “Good Country People.” The technique of irony is applied prominently to the character’s names and behaviors to present the contradictions between their expectations and their reality.