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Included here is “Two Tramps in Mud Time,” which opens with the story of two itinerant lumbermen who offer to cut the speaker’s wood for pay; the poem then develops into a sermon on the relationship between work and play, vocation and avocation, preaching the necessity to unite them.Of the entire volume, William Rose Benét wrote, “It is better worth reading than nine-tenths of the books that will come your way this year.During this time, Frost sporadically attended Dartmouth and Harvard and earned a living teaching school and, later, working a farm in Derry, New Hampshire.
which Pound said “has the tang of the New Hampshire woods, and it has just this utter sincerity.
It is not post-Miltonic or post-Swinburnian or post Kiplonian.
Robert Frost was born in San Francisco, but his family moved to Lawrence, Massachusetts, in 1884 following his father’s death.
The move was actually a return, for Frost’s ancestors were originally New Englanders, and Frost became famous for his poetry’s engagement with New England locales, identities, and themes.
Reviewing Wilbert Snow noted a few poems “which have a right to stand with the best things he has written”: “Come In,” “The Silken Tent,” and “Carpe Diem” especially.
Yet Snow went on: “Some of the poems here are little more than rhymed fancies; others lack the bullet-like unity of structure to be found in One wrote, “Although this reviewer considers Robert Frost to be the foremost contemporary U. poet, he regretfully must state that most of the poems in this new volume are disappointing. [They] often are closer to jingles than to the memorable poetry we associate with his name.” Another maintained that “the bulk of the book consists of poems of ‘philosophic talk.’ Whether you like them or not depends mostly on whether you share the ‘philosophy.’” Indeed, many readers do share Frost’s philosophy, and still others who do not nevertheless continue to find delight and significance in his large body of poetry. Kennedy delivered a speech at the dedication of the Robert Frost Library in Amherst, Massachusetts.
“Mending Wall,” the leading poem in describes the friendly argument between the speaker and his neighbor as they walk along their common wall replacing fallen stones; their differing attitudes toward “boundaries” offer symbolic significance typical of the poems in these early collections.
marked Frost’s turn to another kind of poem, a brief meditation sparked by an object, person or event.
He instead recited “The Gift Outright,” which Kennedy had originally asked him to read, with a revised, more forward-looking, last line.
Though Frost allied himself with no literary school or movement, the imagists helped at the start to promote his American reputation.