Many prefer Love In A Fascist Brothel, indeed I thoroughly recommend it, but for me this is the better album.
The reason for this is primarily the fusion of punk and jazz I feel is more apparent here than on their latter work.
Their name is taken from the book Lipstick Traces: A Secret History of the 20th Century by Greil Marcus, itself a reference to a line in Guy Debord's 1978 film In girum imus nocte et consumimur igni.
The band was known for their confrontational live shows.
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The band were known for their confrontational, wild live shows. There is an urgency and desperation, evident in songs such as For Marcus and Safety Is Of…, that underpins the entire duration of the piece.
Consequently, you cannot take your ears off of it as it twists, weaves and at times pummels its way through post-punk, spazzcore and unashamedly noisecore influences.
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