Tom Paulin Essays

Inaugurated in 1998 by the Keats-Shelley Memorial Association, The Keats-Shelley Prize encourages people of all ages to respond to the work of the Romantics, by writing their own original poem or essay.

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Volume 3 also reprints 16 reviews of operas that Hazlitt attended between 16 October 1813 and .Furthermore, as Wu notes in his introduction, John Russell's review in the attacks Hazlitt for one of Hunt's essays, ' On Washerwomen'.Yet, the reader cannot turn to this specific essay in the present edition.Wu's judicious remarks on the style and content of each work reflect the editor's acute sensitivity to Hazlitt's prose.Wu also includes a very useful directory of selected personages, which consists of brief biographical information on figures mentioned or referred to by Hazlitt in the volume.Hazlitt's review of , as it contains a distinctly more positive commentary on the play and its success.As a whole, Hazlitt's reviews survive very well the ephemeral aspect of their subjects, whether these be long-forgotten plays or little-remembered actors.The eight lectures in each book offer Hazlitt's opinionated views on the subject of wit and humour in authors ranging from Shakespeare to Sheridan, and on Elizabethan literature (informed by Lamb's 1808 was obviously very positive, since he rejoiced in Hazlitt's sharp and sarcastic prose and the numerous attacks on the character of Gifford, a critic who had made more than his share of personal attacks., Wu accurately asserts that this work 'must rank as a classic of non-fiction prose' (vol. ' contains several of the kind of witty remarks present in most of the Spare me this insight into secrets I am not bound to know.The stage is not a mistress that we are sworn to undress. Why should we prick the bubble that reflects the world, and turn it to a little soap and water? Hazlitt's comments on Kean expand into a discussion of reputation which provides an accurate description of the practice of puffing during the Romantic period. Wu's useful discussion of the reception of these two works is particularly detailed.Poets respond to a theme which changes from one year to the next.In 2018, this was ‘Liberty’, to mark the bi-centenary of PB Shelley’s . For information about the Young Romantics Prize, click here.

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