Tags: Boy Cry Dont EssayBoiler Room Theme EssayA Descriptive Essay About Your SchoolEssay About Quaid E Azam Essay In EnglishMedia And Privacy EssayHow To Write A Photography Business PlanEssay On My Favourite Poet Allama IqbalDisagree With Penalty EssayCustom Paper Writing ServicesGroundhog Writing Paper
I suppose this is strange, as the rest of my life can best be characterized by everything the studio is not: cleanliness and order and structure.But then again, the studio was like nothing else in my life, beyond anything in which I've ever felt comfortable or at ease. My carefully composed sketchbooks—the proportions just right, the contrast perfected, the whiteness of the background meticulously preserved—were often marred by the frenzied strokes of my instructor's charcoal as he tried to teach me not to draw accurately, but passionately. But thus was the fundamental gap in my artistic understanding—the difference between the surface realities that I wanted to depict, and the profound though elusive truths of the human condition that art could explore.State: California, USA High School: Private boarding school, 100 students in graduating class Ethnicity: Asian Gender: Male GPA: 4.0 out of 4.0 SAT: Reading 750, Math 750, Writing 800 ACT: n/a SAT Subject Tests Taken: Mathematics Level 2, Biology E/M, Literature Extracurriculars: Nonprofit director, Editor-in-Chief of student newspaper, Senior Editor of literary magazine, Art Prefect, varsity baseball player Awards: Williams Book Prize, National Merit Scholar, AP Scholar with Distinction, Scholastic Art and Writing Regional Gold Key Major: Government : A Houston-based academic preparation business with glowing feedback and global operations, The Brain Domain features college counseling, test preparation, and one-on-one tutoring tailored to students’ unique learning styles. Those few openings in between the tapestry of art were dotted with grubby little handprints, repurposed by some overzealous young artist as another surface for creative expression.
Just as Bobby the new artist’s “lines began to unabashedly disregard the rules of depth or tonality,” so too did art slowly—from the playful light of Monet’s Impressionism, to the square faces of Picasso’s Cubism and the complete abstraction of Pollock’s expressionism—care less and less about how realistic it was and more about the message it conveyed.
In Bobby’s words, “It was the difference between drawing a man's face and using abstraction to explore his soul.” Disclaimer: With exception of the removal of identifying details, essays are reproduced as originally submitted in applications; any errors in submissions are maintained to preserve the integrity of the piece.
While my grandfather describes the horrors of his experience in a forced labor camp during the Cultural Revolution, I could only grasp at fragments to comprehend the story of his struggle. As a child, visiting China each summer was a time of happiness, but it was also a time of frustration and alienation.
Running up to my grandpa, I racked my brain to recall phrases supposedly ingrained from Saturday morning Chinese classes. ” (“Hello, grandpa”), however, I struggled to form coherent sentences.
Apart from surface manifestations altogether, this realm was simultaneously one of austere simplicity and aesthetic intricacy, of departure from realism and immersion in reality, of intense emotion and uninhibited expression.
It was the realm of lines that could tell stories, of colors and figures that meant nothing and everything.
Late evening rays streamed through these sprawling glass panes, casting a gentle glow upon all that they graced—paper and canvases and paintbrushes alike. The instructor sometimes talked, and we sometimes listened.
As day became night, the soft luminescence of the art studio gave way to a fluorescent glare, defining the clean rectilinear lines of Dillon Art Center against the encroaching darkness. Most of the time, though, it was just us—children, drawing and talking and laughing and sweating in the cluttered and overheated mess of an art studio.
It was the difference between drawing a man's face and using abstraction to explore his soul.
But thus was the fundamental gap in my artistic understanding—the difference between the surface realities that I wanted to depict, and the profound though elusive truths of the human condition that art could explore.